Dysgraphia needs to be accommodated like other learning disabilities

Dysgraphia is a learning disorder in which a child does not want to write.  In other ways the child is normal, but he flat out doesn’t want to hold a pencil and write.  If he is forced to write, his letter formation, the spacing between letters and words, and the various sizes of letters indicate something’s wrong.

EPSON MFP imageAll children have times when they balk at writing—when they’re tired, for example.  But dysgraphia shows as a day-in, day-out struggle to get a child to write–and not just in a writing lesson but in math and social studies too.  You might think the child is having a temper tantrum, but actually he is balking at a way of learning which makes no sense to him.  Children with dysgraphia spend so much energy thinking about how to hold the pencil, and how to form the letters, and where the spaces go, that whatever they are supposed to learn by writing—whether it is addition facts or how fossils form—is lost.

Something is wrong, and that something is how the brain works.  (More on that in future blogs.)

So what can you, as the parent or teacher of such a child, do to end tears and tantrums?

  • As much as possible, for that student eliminate writing as a way of learning and testing. Some students are asked to write each new spelling or vocabulary word five times.  Don’t assign this kind of work to a child with dysgraphia.  Let the child use flashcards rather than worksheets to learn math facts.
  • Allow the child to do her work out loud. Let the child tell an adult what she knows.  Allow the child to speak her answers directly to you or into an audio recording machine.
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  • If the child must write a story or an essay, or answer a question in a sentence or two, give the child time to organize her thoughts. Then let her dictate her response to you.  When it’s time to revise, let the child dictate the revisions.
  • Make learning the use of a keyboard a part of this student’s studies.
  • Allow the student to “write” on an iPad or other electronic device.
  • Try various kinds of writing tools. Sometimes smooth-flowing markers can seem not as bad as pencils or pens. Sometimes thicker or thinner tools can feel better.  The smooth surface of a dry erase board can entice a student.
  • If the child has sensory integration issues, schedule writing after recess or after a back rub.

You might be thinking: But at a certain point, doesn’t the child need to conform?

Maybe that’s the wrong question.  Maybe we should be asking how we can make learning math, languages, science and social studies possible without needing to write.  We do it in other fields.  Do you need to write to learn how to play a piano?  Create a collage?  Act in a play?

Writing is one way to learn, but it is not the only way.  For children with other learning problems, we make accommodations.  Do blind children read with their eyes?  Do deaf children speak with their mouths?

In this time of differentiated learning, children with dysgraphia need to be recognized as living with a brain impairment.  They need to be accommodated so that they can learn in a way which makes sense to them.

How do I know if my child has dysgraphia? If she does, can she get special help and accommodations from her school?

Dysgraphia is a writing disability.  Children have trouble handwriting: writing fast enough, forming letters clearly, and holding a writing tool.

In order for a student to qualify for special education services, the student must have a disorder named in the Individuals with Disabilities Education Act.  Dysgraphia is not named.  However, dysgraphia is described under the category “specific learning disability.”  An assertive parent or teacher could make a case for the child’s being formally tested by a licensed psychologist or school psychologist.

Signs of dysgraphia are many, making it hard to diagnose.  But here are some common signs.  Not all children will show each sign, and showing one or two signs does not mean a child has dysgraphia.

  • Has trouble with letter spacing and spacing between words.
  • Writes letters which go in all directions.
  • Writes letters of various sizes within the same word.
  • Writes letters and words which jam together.
  • Leaves words unfinished and omits words.
  • Has trouble writing on lines.
  • Holds a pencil awkwardly.
  • Holds the arm, wrist and shoulder awkwardly when writing.
  • Writes slowly.
  • Loses her train of thought before she has finished a sentence.
  • Has trouble thinking and writing at the same time.
  • Says words out loud while writing.
  • Has trouble following directions.
  • Has more trouble spelling when writing than when speaking.
  • Mixes upper case and lower case letters in the same word.
  • Finds her own handwriting illegible.
  • Complains of a tired or cramped hand.
  • Erases more than usual.
  • Prefers to leave out details.
  • Won’t write some ideas because “everybody knows that.”
  • Speaks far better than writes.

Children with undiagnosed dysgraphia fall behind their classmates, taking longer to finish written assignments or refusing to add details.  They become frustrated, leading to problems following a teacher’s directions and socializing with other children.

Next blog:  What can a parent or teacher do to help a child with dysgraphia?

Should my child do reading and writing in the same lesson if the lesson is supposed to focus on writing?

EPSON MFP imageAs a tutor, this is an issue I have struggled with.  Most of the time, I combine reading and writing.  Here’s why:

  • A kindergartener or even a sixth grader has little personal experience to write about. They quickly exhaust “my dog” or “my family” as topics.  It makes sense for me to provide a topic to write about.  A quick and easy way to do that is to supply a picture book or a short essay.  But if I learn the student has taken an outing over the weekend, I switch gears and ask the student to write from his or her experience.  I might need to generate many questions about the outing to develop enough material to write about, but a personal experience trumps a reading experience, especially for young children.
  • Reading gives students a quick start. I might ask a young children to read part of a picture book (limiting the time spent reading to between five and ten minutes of an hour-long lesson).  For an older child, I might bring an essay or news story (again, limiting the time spent reading and discussing it.)  Our discussions focus on ideas related to writing, such as organization, characters, setting, suspense and conclusions.  Then we talk about the kind of writing I expect the student to write.
  • For students who don’t like to be told what to write, I might bring two reading selections, offering a choice. The child has a sense of control and I am happy with either choice.
  • Reading gives students various genres to analyze or to use as prompts. If the student is writing a persuasive essay, for example, reading one first offers ideas for organization and vocabulary.  I focus less on the content and more on the structure, details, figures of speech–the writing–during a writing lesson.
  • Reading offers excellent models for writing. If I am teaching how to write a formal essay with a thesis, obvious topic sentences and a good conclusion, reading such an essay first is a great way to begin the lesson.  We can talk about what makes the example good (or poor if it is poor) and how it could have been improved.

Everyone writes to be read, even if the reader is a later-day version of himself or herself.  We talk about this during our lessons, offering a solid reason to read before we begin and just as solid a reason to read the student’s work after it is complete.

When to use parentheses

Parentheses are marks of punctuation used to separate a word, phrase, or sentence from the rest of a sentence.  Here are some suggestions on how to use them.

parenthesesIf the parentheses contain words which are part of a sentence but not a complete sentence themselves, don’t use a period or a comma within the  parentheses.  The exception is when the words within the parentheses are a question or an exclamation.  Then use a question mark or an exclamation point as appropriate.

  • My mother (but not my father) has blue eyes.
  • Both of my mother’s parents had blue eyes (no surprise there!).

If the words in parentheses are a complete sentence, use punctuation at the end of the sentence, within the parentheses. 

  • My father and his mother had brown eyes. (But they each had at least one parent with blue eyes.)
  • My father’s father had blue eyes. (So why didn’t my father have one brown eye and one blue eye?)

Parentheses within parentheses can be grammatically correct, but they can be confusing to the reader.  It’s a good idea to rewrite those ideas using one or no parentheses.

  • I have brown eyes (the brown from my father (who probably had a recessive blue gene, like me)).
  • I have brown eyes.  The brown gene came from my father, who probably had a recessive blue gene, as I do.

When a name can be reduced to its initials, say the complete name first, and immediately after the name put the initials in parentheses.  Later, when you use the initials in place of the name, you need to use an article in front of the initials.

  • Both my mother’s parents were born in the United States (US), but neither of my father’s parents were born in the US.

When writing a research paper, you will be directed by your teacher to to use a particular style book.  That style book will have  information on how to use parentheses for citations and specific Latin abbreviations.  If you are not told to use a particular style book, you can use the Associated Press (A.P.) style book, or you can use a dictionary.  Name that book in the references part of your paper.

In general, it is better not to use parentheses if you can separate information with commas, or if you can rewrite idea to obviate the need for parentheses.  Too many parentheses can muddy the meaning, and the first rule in good writing is to be clear.

Getting one reluctant child writer to write

Last week I worked with a third grader on writing.  Knowing that it would take time to figure out a topic, I brought a picture book which she read in five minutes.  She read in an engaged fashion, commenting as we read and paging back and forth to check a fact or to compare an illustration.  She understood the book well, including the emotional inferences.

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I asked her to write down the story in her own words.

No.

I asked her to make changes in the story—a different setting, a boy instead of a girl main character, or a different ending.

No.

I suggested we make a list of what she liked about the story and what she didn’t like, and we write about that.

No.

This went on for a while.  Not prepared to struggle any longer, I suggested we move on to grammar.

Today I returned with a different strategy.  Yesterday I went to the library and checked out a handful of books that I thought would delight her.  Before today’s lesson began, I said that I would give her the books to read if for our writing lesson she would promise to write about the book we had read last week.  She looked at the stack of books and looked at me.

Okay.

But after a half a dozen lines of writing, she stopped, eying the enticing books.

“Done.”

“Not done.”

I pulled out a piece of notebook paper and started writing my version of the story we had read the past week.  She read over my shoulder.

“Janie X. Cuse?  What kind of a name is that?”

“A funny one.”

“Hey, you put my baby sister in there.”

“Inspiration.”

“Whoever heard of a teacher named Mr. Snooze?”

“You did.  Just now.”

Shereturned to her writing, scowling at me.  She changed the word “school” to “Small Creek Elementary” because she goes to “Big Creek Elementary.”  She named the teacher in her writing Mr. Snooze.

“Hey, you took my teacher’s name and put it in your story,” I said.

She grinned.

“Well, if you are going to do that, then I want you to write the name of this character in my story in Chinese.”

She erased the name I had chosen, thought for a minute, and in Chinese characters wrote. . .something.

“What does it say?”

She told me—in Chinese.

“But what does it mean?”  She grinned.

And so we went on.

This girl is motivated by competition.  And by humor.  And by good books to read.

Whatever it takes.