Category Archives: how to teach writing

Two typical writing problems for middle schoolers and how a tutor overcomes them

Problem 1:  A seventh grader is writing a narrative about the first day of the new semester.  She starts her story by recounting how her alarm rang.  Then, lying in bed, she worries about two new teachers she would meet that day.  Next, she writes that she goes downstairs, eats breakfast, dresses and takes the bus to school.  Once in school, she grabs her texts from her locker, talks to a friend,  heads to her first class, and meets one of her new teachers.

“Do you need that part about going downstairs, eating, taking the bus, and going to your locker?” I ask her.

“Well, yeah.  How else do I show that I go to school?”

“Could you write about waking up and being nervous to meet your new teacher, and then jump to the part where the teacher meets you, saying ‘Welcome to our math class, Cara.’?”

“No, because how will the readers know who is talking and that it is later that day?”

“Okay.  Could you say, ‘Cara, is it?’ my new teacher said as I walked in the classroom an hour later.”

“You mean I don’t need to say all the in-between stuff?”

“That’s right.”  I suggest she cut and paste her paragraphs about eating, riding the bus and going to her locker to the bottom of the narrative for now while she thinks more about it.

She does, hesitantly.  A little later, she deletes that part.  “I guess I don’t need it after all.”

Problem 2:  But I can’t write, “’Cara, is it?’” my new teacher said as I walked in the classroom an hour later” because it’s only one sentence, and every paragraph needs five sentences.”

“No, it doesn’t.  Look at any book and count the number of sentences in each paragraph.  Lots will have only one sentence, and others will have seven or ten or even a fragment.”

She picked up a book and opened it and counted sentences.  She closed the book.  “But then why do my teachers say I need to write five sentences in each paragraph?”

“That’s to encourage you to write more.”

“You mean there’s no rule?”

“No.”

“Oh.”

She left the one-sentence paragraph on her page, and followed it by another one-sentence paragraph.

* * * *

Sometimes working with a writing tutor means dispelling myths, like the five-sentence paragraph or needing to write a “before” to a story instead of jumping right in.  Sometimes working with a writing tutor means making mistakes repeatedly, like forgetting to use apostrophes or using texting abbreviations, and asking for help.  Sometimes working with a writing tutor means trying stylistic changes, like adding dialog or figurative language.  Sometimes working with a writing tutor means experimenting with vocabulary the student has not written before.

Do you know a student who could use one-on-one writing instruction?  Tell that student’s parent about me.  I tutor writing to students, second grade to high school,  online.  Together students and I plan, organize, write first drafts, and revise, noting why each step in the process is important.  Writing well is like playing the piano well or kicking a soccer ball well.  It takes practice.  And with a knowledgeable coach or tutor, a student improves faster.

 

 

How to better use prewriting organizers

Organizing writing before the first sentence is written is a sure way for students to improve their writing.  Yet many students (most students?) don’t do it.  Why?  Some kids are in a hurry and don’t want to take the time to create an organizer.  Some kids don’t know how to create useful organizers.  Some kids think skipping an organizer won’t harm their writing.

What can teachers do to encourage students to create organizers and to use them?

Teachers could insist students use a prewriting organizer before writing a single sentence, and grade it or include it as part of the writing assignment grade.  For a given assignment, the teacher could reproduce several student prewriting organizers (and the teacher’s own prewriting organizer) for the class to analyze.  What ones are effective?  Why?  The teacher could ask students to compare those to their own organizers.  Then the teacher could ask students to improve their organizers before they write their essays.

Teachers could insist that students follow their organizers, and grade the essay, in part, on whether the organizer was followed.  Teachers could ask students to exchange organizers and essays before they are turned in for grades.  Classmates could alert students who have not followed the organizer.  Teachers could give those students more time to align their essays with their organizers.

Teachers could limit the kinds of organizers students use to

  • Either mindwebs or semiformal organizers for most informational and persuasive essays,
  • Either Venn diagrams or charts for comparison or contrasting information, or
  • Modified time lines for narratives.

Teachers could spend more time teaching how to use organizers without requiring the resulting essays.  Not every organizer needs to lead to an essay.

Teachers could provide exercises using poor organizers for students to analyze.  Students would need to identify why those organizers are poor and how they could be improved.

Where should a student start an essay?

If you are teaching children essay writing, at which point do you tell students to begin their writing?  With the hook?  With the introduction?  With the thesis?  Somewhere else?

Lately when my students start to write essays, I tell them to skip over the introduction completely for now except for its last sentence, the thesis.  That is where I tell them to begin.

Then I tell them to write the topic sentences of the body paragraphs.  After that, I tell them to fill in the body paragraphs with detailed sentences.  Then, after the student knows the contents of the body, I tell students to write their introductions at the top of one page and their conclusions at the bottom of that page, so the students can see them both together.

The first draft of an essay is put together something like this (after the student writes an organizer):

  • The thesis is written at the top of the notebook paper or computer document.
  • Under it is written the first body paragraph topic sentence. About 2/3 of the way down the notebook paper is written the second body paragraph topic sentence.  On the back top is written the third body paragraph topic sentence.  Half way down is written the fourth, if there is a fourth.  If the student is using a computer, these sentences can be written one beneath the other since inserting more material is easy.
  • At this point, I ask the students to check to see if each topic sentence supports the thesis. If not, this is the time to make it work.
  • Next, the students fill in the body paragraphs with details from their prewriting organizer, making sure that each detail supports the paragraph topic sentence.
  • Finally, on a separate notebook paper (or at the top of the essay), students compose the introduction with or without a hook.  Below it, the student composes the conclusion, trying as much as possible, to pick up some thread mentioned in the introduction.  If the student is using a computer, the student can move the conclusion to the end once he or she has compared it to the introduction.

At this point students can type a rough draft if they have worked on notebook paper, assembling the paragraphs in the correct order.  Once the essay is on computer, they can revise.

Students tell me that at school they are told to start writing essays with the hook.  I tell my students to skip right over that.  Why?  What I am looking for is not creativity but logic, the logic of topic sentences which support a thesis and paragraph details which support the topic sentences.  That is the meat of an essay, and that is what I see missing in students’ essays these days.  When that logic is established, the student can work on a creative (or not) introduction and a conclusion which dovetails with that introduction.

 

Why are “how” questions harder than “why” questions?

A sixth grade student I was tutoring this past week commented that he would much rather answer questions that asked “why” than “how.”

“And why is that?” I asked.

“Because you can start a ‘why’ answer with the word ‘because,” but I don’t know how to start a ‘how’ answer,” he said.

I looked through a 2016 New York State sixth grade exam to find out which kinds of questions comply with the Common Core State Standards, and here are some of the questions I found:

  • “Why are the results of the survey important?”
  • “How does Trina’s mood change?”
  • “Why does the relationship between Julianna and her father change?”
  • How does the father’s idea that Juliana needed to start looking at the whole landscape relate to his description of a painting?”

Then I thought of my students’ written answers to these questions, and sure enough, the “why” questions were responded to better than the “how” questions.

Both “why” and “how” questions require students to analyze a text, a harder task than recalling knowledge or proving understanding, according to Bloom’s taxonomy.  So in that sense, they begin at about the same difficulty level.

A “why” question usually requires one reason although two or three reasons might contribute to a more complete answer.  For example, the question, “Why was George W. Bush elected US President in 2000?” can be answered with one idea:  He gained enough electoral college votes to win.  More could be said about the popular vote and the Florida debacle, but it is not required.  The electoral college information suffices.

But the question, “How did George W. Bush win the election in 2000?” requires more information, especially about the Florida recount and the involvement of the US Supreme Court.

Usually “how” questions require a sequence of information—more than one idea—or a comparison of information.  A “why” question requires one idea only.

For example, in the “how” exam questions listed above, to describe how Trina’s mood changes, the student must describe three things:  her mood at the beginning, the event which changes that mood, and her mood at the end.

To describe how a father’s advice that Julianna must look at the whole picture relates to his painting, the student must first describe the fragmented way Julianna is talking about her boyfriend’s eyes, hair and cheek color, and then relate the fragmented way her father talks about painting a cow, a meadow or sunshine, and then relate both conversations to the father’s statement that putting it all together is when the magic happens.

My student’s insight taught me that I need to discuss with my students what kinds of information are required to answer “how” questions.  To prepare them better for their exams, together we need to respond to more “how” questions, first discussing the kinds of information needed to supply a complete answer.  In this case, it is the thinking through of the answer rather than the actual writing which is difficult for students.

 

What does teaching revising mean?

What could teachers do to help students revise?

When the essays are complete, teachers could reproduce a few sample student essays (with the students’ permission) and ask the class to analyze them. Teachers could ask:  Is there a thesis?  Do the topic sentences in the body support that thesis?  Is the thesis repeated in the topic sentences?  Is the thesis well supported in the body or is more information needed?  Does the information in each paragraph support the topic sentence of that paragraph?  If not, what should the writer do with that off-topic information?  Is the information presented logically?  Does the information in the introduction lead into the thesis?  Does the conclusion return to the ideas presented in the introduction?

Teachers could write and show their own response to the  prompt to offer an example of a well written response for the students to model.

Teachers could give students more time to improve their essays after they have analyzed other essays.

Teachers could have students read their essays to a partner for feedback before turning in their essays.

Before grading the essays, narratives, summaries, etc., teachers could return the writing marked with one idea for improvement.   Yes, the teacher would need to read each essay more than once.  But for the initial read, the teacher would need only to identify one glaring error which the student could then fix before receiving a grade.  Or if there is no glaring error, the teacher could suggest one idea for improvement (“How about turning this section into dialog?” Or “How about turning some compound sentences into complicated simple sentences?”)

The time to teach writing is not after the writing is graded but before and during the writing process while there is still time for the student to learn.  This is the time when students are most receptive to ideas which will help them become better writers.