Category Archives: teaching writing

Peer evaluation of writing

Is it worth taking time to let students evaluate others’ writing?

Recently I asked second graders to write stories based on the picture book, Flora and the Penguin by Molly Idle.  Since the book is wordless, the students were forced to write their own versions of the story relying not on the author’s words but rather on the illustrations for guidance.

Later, I selected portions of two students’ stories for comparison.  I typed and printed them side by side, so students could compare how the two students wrote the same parts of the story.

Here are some of the comments students (second through eighth grade) made:

  • I like Student One’s opening because it tells when the story happens.
  • I like Student Two’s opening because it names the girl.
  • I like the word “poked” by Student One because it shows exactly how the penguin acted.
  • I like all the ways Student Two shows what Flora and the penguin did. They skated, danced, jumped, twirled and slid.  You can see it happening.
  • I like the dialog that Student Two uses when Flora asks, “What are you doing?”
  • I like Student One’s word, “outraged.”  That is a strong word.
  • I like Student Two’s word, word “disgusted” because it shows how Flora felt.
  • I like Student One’s writing where it says that Flora feels sorry because it shows that Flora cares.
  • I like when Student Two says “just like a fishing net.” I can see it.
  • I like when Student Two says “they tugged and tugged,” but maybe there are too many “tugs.”
  • I like Student One’s ending because it says Flora and the Penguin are happy.

After their blow-by-blow analyses, I asked my students what they learned from evaluating other students’ writing.  They said:

  • Use details, lots of details.
  • Use dialog or thoughts.
  • Use names.
  • Show emotions of the characters.
  • Verbs are really important to show action.
  • Use good vocabulary words.

One second grader, who rushes through her writing, compared her  plain version with the two shown here and said, “I’m starting over.”

A seventh grader who read the two versions, said, “Second graders?  Really?  I didn’t think I could learn good ideas about how to write from second graders.”

Is peer evaluation of writing a good idea?  You decide.

Read John Truby’s “The Anatomy of Story” if you are a fiction writer

If you are an aspiring novelist or fiction writer, may I recommend a good how-to book?  It’s not new, but it’s new to me.

Cover of John Truby's The Anatomy Of StoryJohn Truby’s The Anatomy of Story; 22 steps to becoming a master storyteller has been around since 2007.  I’ve seen it recommended in other how-to writing books, but the “22 steps” part of the title put me off.  And after reading the book and rereading parts, the “22 steps” still seem like a juggernaut to an aspiring novelist.

Yet the book is a masterpiece.  Several points ring true.

  • Every story must have a single pathway to its climax and end. Even stories with as many side steps as Homer’s Odyssey must lead the main character and reader toward a single goal.
  • Every compelling story has one main character (hero) fighting along that pathway toward his or her goal.
  • If the hero’s enemy is an abstraction (a company, a war or evil) the reader will engage more if that enemy can be embodied into a single human enemy such as Darth Vader or Voldemort.
  • The main character must have a flaw to overcome by the end of the story. How he overcomes his flaw is the real story.  Harry Potter must defeat Voldemort.  But Harry is a meek eleven-year-old at his story’s start.  How he overcomes his fears and grows into a man brave enough to defeat Voldemort is the real story.
  • If the main character makes difficult moral choices (not just action choices) on his pathway, the story gains depth and the possibility of greatness.

One inclusion I particularly like is the many novels and movies which the author analyzes when he makes his various points.  I have long known that I like The Godfather, Shane, Chinatown and Casablanca, but now I know why.  It’s because these stories contain so many of the elements which Truby says are essential in great stories.

As for the 22 steps?  Because so much else rings true in The Anatomy of Story, I accept that the 22 steps are necessary for a great novel.  Nobody said writing a novel is easy, and Truby says writing a great novel is rare.  But he has created a formula.  If you are writing fiction, check it out.

Citing evidence is an important writing skill

Citing evidence used to be a skill learned in high school, but with the Common Core State Standards, it has moved to middle grades.  This is because of the Common Core’s emphasis on problem solving.  But it is also because reading critically is an important life skill.

commoncoreenglishlanguagestantards

Click on the above graphic to open the pictured web page.

  • Here is the standard for ninth, tenth, eleventh and twelfth grade literature reading: ELA-Literacy.RL.9-10.1
    “Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.”

“Cite several pieces of textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.”  (The only difference between high school and middle school standards is the degree of reporting textual evidence.)

  • Here is the standard for sixth, seventh and eighth grade social studies: ELA-Literacy.RH.6-8.1  “Cite specific textual evidence to support analysis of primary and secondary sources.”

Middle school students I tutor need to be able to read a selection and answer a question based on the reading.  The students are expected to cite two or more lines of evidence from the reading when they answer the question.

With practice, most are able to do it.  But some students encounter problems, namely

  • Using in their answers information they know is true but which is not given in the reading passage.
  • Taking two sides of an argument when they are expected to choose only one.
  • Citing not enough evidence to thoroughly support their answer.
  • Citing evidence okay but not showing how the evidence supports the answer.
  • Talking about the text in general without actually citing evidence.
  • Writing evidence as direct quotes, without adapting it to the student’s sentence structure. This can include copying pronouns without identifying what they mean.
  • Not paraphrasing.

How to overcome these problems?

  • Emphasize the difference between a guess or hunch and evidence.
  • Model the difference between strong and weak evidence.
  • Make sure students can explain why evidence they choose supports their answer.
  • Practice paraphrasing.
  • Practice using nouns when pronouns are not clear.
  • Practice, practice, practice.

Teaching children when to write “and” and “but”

Learning new vocabulary words in elementary school is important for reading comprehension.  But vocabulary instruction needs to include a deeper understanding of words students write and speak all the time, words they haven’t paid much attention to, such as the conjunctions “and” and “but.”

boy reading

Children know what “and” and “but” mean.  But do they realize they use “and” to connect two words or ideas which are both positive or both negative?  And do they realize they use “but” to join one word or idea they favor and another word or idea they don’t favor?

Helping students learn to write means pointing out the relationships which conjunctions create.  Here’s how.

  • Start with the word “and.” Write a sentence such as “I like ice cream and cookies.”  Point out to the student that you used “and” to join two ideas you feel the same way about.  Ask her if there are any other ways she could say “I like ice cream and cookies” without using “and.”  If she is stumped, suggest, “I like ice cream.  Additionally, I like cookies.”  Or, “I like ice cream as well as cookies.”  Or, “I like ice cream.  Also, I like cookies.”  Point out that “and,” “additionally,” “as well as” and “also” all are used to connect ideas which we feel the same way about, either positively or negatively.

Other words which mean the same as “and” include consequently, because,  moreover, and furthermore.  A semicolon between two sentences usually indicates that the idea in the first sentence continues in the second sentence.

  • Now write a sentence such as “I like ice cream but not anchovies.”    Ask her if there is any other way to say that idea.  She might say, “I like ice cream.  However, I don’t like anchovies.”  Or, “I like ice cream although I don’t like anchovies.”  Or, “I like ice cream even though I don’t like anchovies.”  Point out that “but,” “however,” “although” and “even though” all are used to connect ideas we don’t feel the same way about.  One idea we like and one idea we don’t like.  One idea usually uses a form of “not” or a prefix that means “not” such as un, im, ir, or dis.

Words which mean the same as “but” show contrast.  Some other words are though, despite and yet.

  • To reinforce the difference between “and” and “but” and their synonyms, suggest two ideas, such as summer and winter. Ask the student to say or write a sentence saying how they feel about those two times of year.  Now ask the student to change the word or words they used to connect summer and winter to a word or phrase which means the same thing.  Now do it again to another phrase or word which means the same thing.  Try another relationship, such as snakes and dogs.  Again, ask for synonyms for the connecting words.

Being aware how “and” and “but” and their synonyms create different relationships between ideas is important in writing.  If a child is reading and comes to the word “however,” she knows the thought has just changed to an opposite kind of thought.  If she comes to the word “moreover,” she knows more of the same kind of thought is coming.

Another way of teaching these ideas is to suggest that “and” is something like a plus sign, but “but” is something like a subtraction sign.  Or “and” is something like walking straight ahead while “but” is something like taking a U-turn.