Category Archives: writing problems

How to encourage primary school students to write better

If you are helping a student in kindergarten through second grade to learn how to write, you might want to check out Conferring with Young Writers  by K. Ackerman and J. McDonough.

ConferringWithYoungWritersThese primary grade teachers decided that they could have the most impact by changing the way they conference with student writers.  Here are some of their tips.

Establish trust with the student before trying anything else. How?  Let students see you writing and encountering problems.  Focus on the meaning of the child’s words and ignore sloppy spelling and punctuation.  Compliment students on their writing, focusing on particular things they do well.  Listen when the child talks about the writing process.  Get to know students as whole people first and as students and writers second.

Establish a routine for writing—a set time and place with pencils sharp, erasers in reach and plenty of paper.

Focus on one writing goal per lesson or unit. The goals should include choosing good ideas, structuring the writing appropriately, using conventions properly, sticking to one main point, writing in a natural voice, and providing details.  Teach those goals, model them, practice them and discuss with students how they can do them better.

Follow up on the points which they should have shown in their writing. The book shows several assessment tables, rubrics, and checklists which can be adapted by parents or classroom teachers.

Encourage students to choose their own writing topics and genres. Students will be more engaged and cooperative if they have choices.

Let students know it is not only okay but good if they talk to one another about the process of writing. Encourage them to read their writing aloud as they work.

Help students find good ideas to write about. Deciding on topics is one of the hardest things for some children.  Conferring with Young Writers offers several approaches to helping students identify what they might enjoy writing about.

Conferring with Young Writers offers a three page bibliography of books about teaching writing to children as well as an index.  At 144 pages, it is a quick but rich read for parents and teachers who don’t know how to begin teaching writing to primary grade students.  For more information, go to http://www.stenhouse.com.

Lockstep sentences, one after another, bore readers

What is a lockstep sentence?  Usually, it’s a sentence which begins with a subject (a noun or pronoun) and is followed by a predicate (a verb and a direct object, or a verb and a linked noun or adjective).  If there is a prepositional phrase, it comes at the end of the sentence.

Here is such a lockstep sentence pattern.

1  John watched the television news.  2  He saw an interesting discussion.  3  New York’s Congressman Newman debated Delaware’s Congressman Doe.  4  Congressman Newman took the conservative position and Congressman Doe took the liberal position.  5  “That’s a good discussion,” thought John.

Notice the sentence patterns:

1  subject, verb, direct object  (five words)

2  subject, verb, direct object  (five words)

3  subject, verb, direct object     (eight words)

4  subject, verb, direct object, conjunction, subject, verb, direct object  (13 words)

5  subject, verb, predicate noun, verb, subject (six words)

These five sentences follow a lockstep pattern.  They all begin with a subject.  Two have adjectives before the simple subject, but all start with the complete subject.  Each subject is followed by a verb which is followed by a direct object in four cases and a predicate noun in the other case.  The longer sentence is actually two simple sentences following the same pattern, but connected with a conjunction to form a compound sentence.

In this case, the lockstep sentences contain few words, adding to their tedium.

A lockstep sentence pattern needn’t be this particular pattern, but it is a pattern which repeats over and over, sentence after sentence.

For some writers, the pattern is a single subject and a compound predicate.  “I ate dinner and took a walk.  The night was warm but humid.  I stood under a tree and waited for the rain to stop.  Then I went home and drank hot tea.”

For other writers, the pattern is an adverb to start the sentence followed by a subject and a predicate.  “Playfully, my dog licked my ankle.  Then she walked to her mat.  There she scratched herself.  However, she heard thunder in the distance.  Immediately, she returned to my side.”

For some writers, the pattern is a series of complex sentences with the subordinate clause always coming after the independent clause.  “I stopped the car because a blue light flashed ahead.  Soon cars parted as a fire engine passed.  Then an ambulance wailed while I checked my GPS.”

What can a writer do to avoid lockstep patterns?

First, analyze your own writing.  See if you consistently use a pattern.

Next, as your write, be aware of your tendency to use that pattern.  Look over your work, and if you notice that pattern, change the sentences.  If you usually begin with a subject followed by a verb, start some sentences with prepositional phrases, adverbs or gerund phrases.  If you usually begin with an adverb, cross out half of them, and then cross out half the rest.  If you write mostly short sentences, turn some of them into complicated simple sentences or complex sentences with double the words.

Lockstep sentence patterns are like familiar car routes.  We become so comfortable using them that we don’t explore new ways of expressing ourselves.  But we should to keep our writing fresh and our readers engaged.

Connect back to the thesis in persuasive essays

Click on the chart for a larger version.

Suppose you need to write a persuasive or argumentative essay, as do many seventh graders whose states are following the Common Core curriculum.  Suppose you need to take a position on the following statement:  Santa Claus is real.

You decide to take the position that yes, Santa is real.  For your evidence, you use the following points:

  • The Weather Channel and many other news media track Santa’s whereabouts all over the world on Christmas Eve.
  • Santa’s image is used in advertising by Coca Cola and retailers during the Christmas season.
  •  Many movies have been made featuring Santa, including Miracle on 34th Street, The Polar Express, The Santa Claus I, II and III and A Christmas Story.

For your first body paragraph topic sentence, you write, “Many television and radio stations track Santa’s sleigh and reindeer around the world on Christmas Eve.”  If you add, “thus proving Santa is real,” you have a perfect topic sentence.  Then to back up your topic sentence, you list  TV and radio stations which do this.

So far so good.

You start your second body paragraph with, “Second, Coca Cola and other retailers use Santa’s image to sell items.”  The problem here is, “second” what?  You need to say something like, “A second reason to prove that Santa is real is that Coco Cola and other retailers. . .”

Every sentence in every body paragraph should support the topic sentence of that paragraph.  Just as importantly, every topic sentence should support the essay’s thesis.  Some students think, well of course, if I say “second,” the reader knows that what I mean is that this is the second reason why Santa is real.  Not so.  You need to say that.

You always need to state the connections between the evidence and your topic sentences, and between your topic sentences and your thesis.

In working with students writing persuasive essays, I see this lack of connections all the time.  To show the flow of connections, I draw arrows on students’ essays.  One group of arrows goes from the data in a body paragraph to the topic sentence of that body paragraph.  Another arrow goes from that topic sentence to the thesis or topic sentence of the whole essay found in the first paragraph.  If the connections is not stated, I draw the arrows with dashes rather than with solid lines to show that the connection is not explicit.

Make your connections obvious.