Category Archives: revising first drafts

Tips about Writing from Stephen King

Stephen King, the King of Horror, has written dozens of fictional bestsellers, many of which have become blockbuster movies.  He also wrote a book, On Writing, telling how he writes.  Here are some of his ideas.

From his own experience, King believes a writer’s job is to recognize two previously unrelated ideas and to make something new from them.

Writers write their first drafts for themselves, to tell themselves a story.  When they rewrite, they take out everything that is not part of the story.

Writers shouldn’t “dress up” their natural short-word vocabulary with long words.  They should use the first words that come into their heads.

You don’t need to write in complete sentences all the time.

Avoid passive verbs.  Timid writers use passive verbs because they seem safe.

Forget using adverbs.

Fear leads to bad writing.

Use “said.”

To make possessive nouns, add apostrophe S every time.

Easy-to-read books contain lots of white space and dialog.

To be a good writer, do two things:  read a lot and write a lot.

If you don’t have time to read a lot, you don’t have the time or the know-how to write well.

To learn what not to do, read bad writing.

What to revise to improve writing

Students often think revising means editing, that is, making small changes. Adding an apostrophe or improving spelling is not revising.  Revising means making significant improvements to writing.  Revising is the process by which okay writing becomes great.

So what exactly is revising?  Here are some examples, though there are many more.

Change weak (nonspecific) verbs to specific verbs.  If possible rewrite the verb to be (is, are, was, were) and come, go, give, take, get, start, put, look, and see, but not say or said.

  • I got tired raking leaves, so I came inside and took a nap.  This becomes, After I tired from raking, I snuggled on my bed and napped.

After weak verbs, find infinitives or nouns that can be turned into strong verbs.

  • When the car started to spin, Mom took her foot off the gas pedal. This becomes, When the car spun, Mom released the gas pedal.

Use active, not passive verbs.

  • The apple was eaten by Mary. This becomes, Mary ate the apple.

Change long nouns (e.g., encouragement, contamination, habitation) to verbs.

  • Use moderation in your dietary habits. This becomes Moderate your diet.

Combine frequent small sentences (fewer than 10 words) to add sophistication to writing.

  • That’s my brother. His name is Akhil.  He is seven.  He can write a two-wheeler.  This becomes My seven-year-old brother, Akhil, can ride a two-wheeler.

Delete a sentence with just one bit of new information and put that information in another sentence to eliminate wordiness.

  • The baby fell out of the carriage. The carriage rolled down the hill.  This becomes, The baby fell out of the carriage which rolled down the hill.

Combine sentences to eliminate wordiness.

  • My uncle was wounded playing football. He played for the University of Georgia twenty years ago. He played before I was born.  This becomes, My uncle broke his leg playing football for the University of Georgia twenty years ago, before I was born.

Identify the sentence structures used (simple, compound, complex and compound-complex).  Rewrite the sentences to create more complicated simple sentences and easy-to-understand complex sentences, and to eliminate most compound sentences.

  • I watched the Rose Bowl Parade on TV, and I enjoyed it. I could not believe the floats!  They were covered with flowers, seeds, leaves, and other living things.  I hope, when I am older, to see the parade in person.  This becomes, I enjoyed watching the Rose Bowl Parade on TV.  Flowers, seeds, leaves and other living things covered the floats.  Someday, I hope to see that unbelievable parade in person.

Limit the number of dependent clauses in sentences to two.

  • The resort where we vacationed used to be a private club that attracted millionaires in the 19th century who arrived by train before wealthy people had air conditioning. This becomes, We vacationed at a resort that used to be a private club for millionaires.  In the 19th century, wealthy people arrived there by train.  They wanted to escape the heat in an era before air conditioning.

Change first words of sentences to add variety. 

  • See previous changes.

Count the number of words in each sentence.  Average them.  Aim for an average of 14 to 18 words with some longer and some shorter.  If the average is 10 or below, increase the number of words per sentence.  If the average is 20 or above, decrease the number of words per sentence.  Don’t count the number of words per sentence until you have made other changes or you will need to recount.

Let students learn from other students’ writing

Students love to read what other students have written, especially if everyone is writing about the same thing and if everyone is the same age.  Students are immediately engaged, checking to see how their peers handle the same writing assignment as themselves.

For example, I have asked elementary students to read the textless picture book Flora and the Penguin by Molly Idle.  Then I have asked them to analyze the table below.  It contains student-written versions of parts of the Flora story.

Linda Marion Nancy
One day there was a girl On a cold winter day a girl Once upon a time Flora
There was a penguin who wanted to play with her. When a penguin poked its beak out of the water A penguin named Steve put his body in the water.
They started to dance while ice skating.  They did more and more ice skating until they were tired. They skated this way and that way. They skated and danced together.  They jumped and twirled.  They slid across the ice.
When the penguin saw a fish, he jumped in the water. The penguin smelled a school of fish. Steve poked his head in the water.  Flora said, “What are you doing?”  Steve disappeared.
When he came out he had a fish in his mouth.  Then the penguin gave it to her as a present. The penguin came back with a fish in her mouth.  Flora was outraged.  The penguin gave the fish to Flora. Steve got a fish.  He gave it to Flora as a present.  Flora thought the fish was disgusting.
She threw it back in the water. She threw it back in the water. So, she threw it back in the water.
Before she left, she put her [shoe]lace in the water and tried to get a fish.  So, she kept on pulling until she got a fish. Flora felt sorry for the penguin, so she took off one of the lacings on her skates.  She dipped it in the water so she could get a fish for the penguin.  The two of them pulled as hard as they could and out came a fish. She took her [shoe]lace out.  She put it in the water just like a fishing net.  A fish approached.  They both tugged and tugged and tugged and tugged on the lace.  They caught the fish.
The fish got eaten by the penguin. They started skating and they were happy. They started skating all over again.

Usually when  students analyze the writing of other students, they recognize when it is good.  They note that “This version has dialog” or “This version tells that it’s morning.”  Analyzing the writing in the table above, one second grader said he like the “tugged and tugged and tugged and tugged” part because it shows how hard it was to catch a fish.  Another said she liked “They skated and danced together.  They jumped and twirled.  They slid across the ice.” because it showed different kinds of play.

Students are surprised to see that some second graders write better than some fifth graders.  We discuss what the second graders do that the fifth graders don’t.  “More details.”  “Different ways to start sentences.”  “More interesting verbs.”

Help your students become better writers by exposing them to the writing of other students.  Encourage them to analyze why some writing is better than others.  Take a simple scene such as a girl and a penguin sliding across ice and ask students to describe it.  Then share responses and discuss what is good about them.

As they say, good writing is not rocket science.  Mostly it’s revising.

Write first, revise second, third, fourth, and edit last

Revising and editing are distinct actions.

Revising means changing text in significant ways, such as adding or deleting words, sentences, paragraphs or even whole scenes.  Revising means changing weak verbs to stronger, specific verbs.  Revising means changing sentence order or sentence beginnings or combining sentences or separating too many ideas in one sentence.  Revising means making big changes and should be done before editing.

Editing means polishing text in subtle ways, such as changing punctuation, spelling, and choice of synonyms and antonyms.  Editing means deleting most -ly adverbs, many adjectives, and obvious information.  Editing means making small changes, sometimes stylistic changes, and should be done after revising.

Which are revising and which are editing?

revising editing
Deleting backstory from the beginning of text
Using simple Anglo-Saxon vocabulary instead of longer, more complicated words
Replacing abstract nouns with concrete verbs
Deleting vague, qualifying words (e.g. some, never)
Deleting “that” except when needed for clarity
Combining sentences to delete unnecessary words
Adding information for clarity
Using “said” instead of “told,” “related,” “cried,” and other words saying how a person spoke
Replacing forms of the verb “to be” with specific verbs, action verbs if possible
Rewriting sentence beginnings for variety
Replacing most compound sentences or compound predicates with complicated simple sentences
Deleting overused words like “so,” “then,” “just” and “like”
Rewriting conclusions to add meatier ideas
In dialog between two people, not identifying who is speaking for each line of dialog
Writing direct dialog rather than indirect dialog.
Calculating words per sentence to keep within 15 to 20 words on average.
Looking for the kind of grammar mistakes you often make, such as run-ons, and fixing them.
Showing, not telling.

A mistake student writers make is to edit as they write, losing the flow of their thoughts.  It’s better to keep going, even though you know you spelled a word wrong and are tempted to look it up.  Writing is harder than editing which is why writers are tempted to edit as they go.  This is particularly true of perfectionists.

Editing before revising is a waste of time.  Good revising will delete many early edits.  Write first, revise second and third and forth, and edit last.

Coherence, the most important element in writing

Writing well requires following certain steps in sequence:

  • Narrowing your topic
  • Organizing your information, including writing an overarching topic sentence or thesis and subtopic sentences or plot lines
  • Writing a first draft
  • Revising, revising, revising
  • Editing

Once your first draft is complete, revising becomes most important.  So many tasks comprise revising—checking for complete sentences, tightening wordiness, analyzing ideas for logic, honing vocabulary, fixing grammar errors, adding figures of speech and style.  Students wonder where to begin.

Begin with coherence, the most important element of writing.  Coherence means making sure all your sentences make sense and flow from one to another.  Coherence means making sure your readers understand what you mean—easily, at first read, without an interpreter.

How do you do that?  Some ways include:

  • Make sure every sentence in the body paragraphs supports the thesis. If you use an anecdote, make sure it is an example of the ideas in the thesis.  If you use a simile or metaphor, make sure it fits with the topic.  If the topic is igneous rock, for example, the simile “as hot as the steam from a steam boat” is off topic, whereas “as hot as a lava lake” is on topic.
  • If you use numbers (three kinds of rocks, five members of my family, one favorite memory), check that you have named all the numbers and no more.
  • Use logical transitions. “Because” means something causes something else.  Make sure you have named a cause and an effect if you use “because.”  “Finally” means the last one in a series or the last point.  If you have only two or three points, you shouldn’t use “finally.” You should use “secondly,” or “next,” or “third.”
  • If you use a pronoun, make sure you have named the noun the pronoun refers back to. And make sure you have named that noun before you use the pronoun (not “When she fell, Mary broke her arm,” but “When Mary fell, she broke her arm.”  If you use “this,” make sure your reader can know in a word or phrase what “this” refers to.  If “this” is vague or complicated, add a noun after “this” (this situation, this erosion, this loss of interest).  If you have two women talking, make sure if you use “she,” the reader knows which one you are referring to.  Otherwise, use her name or title or position.
  • Check that your sentences are complete thoughts–not fragments or run-ons.  Make sure your complex sentences contain no more than two dependent clauses so readers needn’t hold multiple ideas in their minds at once.  Check that your sentences vary in length, with most more than ten and fewer than 20 words.
  • Change your weak, vapid verbs to active, dynamic verbs.  Eliminate the verb “to be” and passive voice verbs.

If what you write lacks coherence, no matter how specific the vocabulary, no matter how beautiful the description, no matter how lofty your aim, your writing will flop.  Your writing must make sense to a reader without you standing at her elbow explaining, “Well, what I mean is. . .”