Monthly Archives: July 2021

Does a narrative have a thesis?

Does a narrative have a thesis?

Yes, though it’s not called a thesis.  It’s called a story arc.  Think of some of the best-selling novels or movies you’ve read or seen.  Do they contain a story arc?

 

 

 

 

 

 

 

 

 

 

 

How about Gone with the Wind?  The story starts with flirty Miss Scarlett surrounded by young men, all madly in love with her.  The story moves upstairs at the Wilkes’ mansion where the girls are reclining—all but Scarlet who slips downstairs, draws Ashley Wilkes into the library, and declares her love for him.  He politely says no, but  Scarlett won’t accept his refusal.  When Ashley leaves, Scarlet throws china at the fireplace.  An amused Rhett Butler, who has overheard everything, is aroused.  Scarlet wants Ashley and will do what it takes to get him.  And Rhett wants Scarlett.

How about Anna Karenina?  In the opening pages, Mrs. Karenina visits her brother who has recently had an affair.  She meets a military officer and by her return home a few days later, she is in love, as is Count Vronsky.   Anna Karenina wants Count Vronsky and flaunts society to live as his mistress.

As Huckleberry Finn begins, Huck tries repeatedly to get away from the Widow Douglas who represents rules and civilized behavior–anathema to Huck. Pretty soon he does slip away, finding a raft and floating down the Mississippi with Jim, an escaped slave.  Huckleberry Finn rides the Mississippi in order to experience freedom.

How about Casablanca?  Rick, a stoic bar owner, lives without love until his old flame and her husband appear in his bar.  He must choose:  keep Elsa for himself and be safe or help her husband and her to escape the Nazis and become a wanted man.  Rick wrestles with emotions he thought were dead to make his choice.

Agatha Christie wrote dozens of murder mysteries all with the same story arc:  Who done it?  You know when you start to read one of her books that someone will die, and eventually, someone will be exposed as the killer.  Person A kills person B and either Hercule Poirot or Miss Marple solves the crime.

Have you ever read a story lacking a story arc?  I have started several, but if I can’t figure out where the story is going early on, I don’t continue.  So a story arc is like a thesis in that it tells readers what they can expect to learn from the story.  A story arc is usually stated more obliquely than a thesis, but it must be present for the story to be satisfying.

How to begin a novel

Q:  How should a good novel begin, according to writing experts today?

  1. With backstory
  2. With an inciting event

A:  b.  With an inciting event, with action of some kind to grab the reader into the story.  Two hundred, one hundred, even fifty years ago this wasn’t the way writers started novels.  But times have changed, and so have readers who expect writers to grab them into their stories in the opening paragraphs.

Q:  If that’s true, then how should a novel introduce backstory?

  1.  By getting the story underway, pausing to fill in background details, and then resuming the forward action of the story.
  2. By weaving background details into a story as needed without ever pausing.

A:  b.  By weaving background details into a story as they are needed, without stopping or even slowing down the forward action, is the recommended way to include backstory today.

And yet,

This past week I read a novel which received high praise from a news source I respect.  As I turned from page 3 to page 4 to page 13 to page 24, I thought, C’mon, c’mon. When is this story going to take off?  It did around page 35, or so I thought for a couple of pages.  But I was wrong.  The scene described there turned out to be more backstory.  It wasn’t until about page 70 that the action really started.

70 unnecessary pages.  Or at least 70 pages which could have been reduced to two or three pages and tucked into the forward action part of the novel.  If not for the four-star review, I would have stopped reading by page 10. 

Q:  So how did this novel get published with such a laborious beginning?

A:  The author is an established writer with several best sellers, some of which have been turned into TV miniseries.  Editors are reluctant to ask such a writer to cut 35 pages, no matter how slowly they move the novel along.

Q:  What can we learn from this?

  1.  If you are a best-selling author, anything goes.
  2. Even if you are a best-selling author, some reviewers will pan your book if it has a slow, wordy start.
  3. Listen to writing experts and start with an inciting event until you become a best-selling author.

A:  a.  Yes.  b.  Yes.  I went online and found reviewers who liked the book and others who said it could have been improved by eliminating several dozen pages at the beginning.  c.  Yes.  Jump right in if you want to hook your readers.